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SMPTE RP 200 : 2012

Current

Current

The latest, up-to-date edition.

RELATIVE AND ABSOLUTE SOUND PRESSURE LEVELS FOR MOTION-PICTURE MULTICHANNEL SOUND SYSTEMS - APPLICABLE FOR ANALOG PHOTOGRAPHIC FILM AUDIO, DIGITAL PHOTOGRAPHIC FILM AUDIO AND D-CINEMA

Published date

12-01-2013

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Describes a measurement method and wide-band sound pressure levels for motion-picture dubbing theatres, review rooms, and indoor theatres using steady state wideband pink noise methodology.

DocumentType
Standard
PublisherName
Society of Motion Picture and Television Engineers
Status
Current

BS ISO 22234:2005 Cinematography. Relative and absolute sound pressure levels for motion-picture multi-channel sound systems. Measurement methods and levels applicable to analog photographic film audio, digital photographic film audio and D-cinema audio
01/712782 DC : DRAFT OCT 2001 ISO/DIS 22234 - CINEMATOGRAPHY - RELATIVE AND ABSOLUTE SOUND PRESSURE LEVELS FOR MOTION-PICTURE MULTI-CHANNEL SOUND SYSTEMS - MEASUREMENT METHODS AND LEVELS
07/30170897 DC : DRAFT AUG 2007 BS ISO 26432-2 - DIGITAL SOURCE PROCESSING - PART 2: DIGITAL CINEMA (D-CINEMA) LOW FREQUENCY EFFECTS (LFE) CHANNEL AUDIO CHARACTERISTICS
ISO 22234:2005 Cinematography — Relative and absolute sound pressure levels for motion-picture multi-channel sound systems — Measurement methods and levels applicable to analog photographic film audio, digital photographic film audio and D-cinema audio
SMPTE ST 2095-1 : 2015 CALIBRATION REFERENCE WIDEBAND DIGITAL PINK NOISE SIGNAL
ISO 26432-2:2008 Digital source processing — Part 2: Digital cinema (D-cinema) low frequency effects (LFE) channel audio characteristics
BS ISO 26432-2:2008 Digital source processing Digital cinema (D-cinema) low frequency effects (LFE) channel audio characteristics

Sorry this product is not available in your region.